The new agreement further strengthens Gregson-Williams’ close relationship with Universal Music, having signed an exclusive, global administration deal with Universal Music Publishing Group in 2019. Making my music available in this way - beyond the boundaries of the specific film and television score commissions I'm doing - seems like a wonderful opportunity and a natural extension to my work,” said Gregson-Williams. "I'm extremely happy to be partnering with Universal Production Music on the creation of this new music label. The launch will feature mood-based album themes ranging from action-packed chases to apprehensive tension and impulsive ripples, all with Gregson-Williams’ signature compositional style and sound. The new label, ‘Scored By: Harry Gregson-Williams,’ features albums composed by Gregson-Williams and his team, curated with label partner and fellow composer Tom Howe. The label’s creation was inspired by premium quality Film & TV score repertoire for clients wanting the best quality production music. Dick’s Electric Dreams’ for “The Commuter” episode. He has received Golden Globe ® and Grammy ® Award nominations for his score for ‘The Chronicles of Narnia: The Lion, The Witch and The Wardrobe’ and is an Emmy ® nominee for his work on the anthology series ‘Philip K. Harry Gregson-Williams is one of the most sought-after composers in Hollywood with a lengthy list of high-profile film and TV music credits. Recent film and TV projects include ‘The Last Duel’ and ‘House of Gucci,’ both directed by Ridley Scott Disney’s live action feature film ‘Mulan’ directed by Niki Caro Disneynature’s ‘Penguins’ and ‘Polar Bear’ HBO’s ‘The Gilded Age’ and the Netflix documentary ‘Return to Space.’Īcclaimed for his work on all four instalments of the global hit ‘Shrek’ franchise, Gregson-Williams garnered a BAFTA nomination for the first film. In an age where intellectual property is seen as an increasingly crucial part of a company, the production music division beefs up UMG’s already giant catalog by owning the master and composition copyrights for these works.Universal Production Music, Universal Music Publishing Group’s leading, global production music company, today announced an exclusive production music joint venture with prolific, award-winning film composer Harry Gregson-Williams. At Universal Production Music, the team is responsible for building a library of musical works for use in audiovisual productions like film, television, advertising, broadcasts and other media, whether through commissioning composers or licensing. Production music is an important but sometimes little understood area of the publishing business. She held the title of general manager for BBC Worldwide Music Publishing, creative director for BBC Music and head of marketing for Warner Classics U.K. While at the BBC, where she worked for more than seven years, she coordinated the Earth in Concert series with her client Fenton as well as two BBC Proms with the National Theatre and Aardman Animations. She has worked with a myriad of U.K.’s top film composers, including George Fenton, Michael Nyman, Max Richter, Craig Armstrong and Steven Price. managing director, has decades of experience in the world of production music. IFPI Chief Executive Frances Moore to Retire, Setting Off Leadership Change at Global BodyĬarter, who previously served the company as its U.K.
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